Pencil sketches
- Reference:GB 1694 DC 068/2/3
- Dates of Creation:c1953
- Name of Creator:
- Physical Description:1 folder
Scope and Content
Contains a collection of pencil sketches by Sylvia Chalmers.
Includes:
* 3 pencil sketches of harness for a horse. Inscribed "Lonsdale of Watney's Brewery, (28 years old), 24 Aug 1953.
* one pencil sketch of an un-named village, n.d.
* one pencil sketch of 'Queen Mary Scots house, Gedburgh', n.d.Administrative / Biographical History
The Scottish designer Sylvia Chalmers was a contemporary of Lucienne Day. Chalmers was a student at the Glasgow School of Art in the late 1940s. She moved to London in 1951, where she designed fabrics for Heal's. She won three medals for her textiles designs shown at the Milan Triennale in 1954. In 1955 she founded her textile printing company in Scotland, Tuar Fabrics, which she ran for over 20 years, often selling her textile designs for fashion use to Elizabeth Eaton.
In 1976 Chalmers purchased Blacknest House at Thornhill in Dumfriesshire and converted the out-buildings into a design and production complex. In recent years twelve of Chalmers' textile designs from the 1950s and 60s have been digitally reproduced by the Centre for Advanced Textiles at Glasgow School of Art, making her designs available to buy once more. Her influential and distinctive designs have been discussed in several recent publications including "V&A Pattern: The Fifties" (2009) and "Twentieth Century Pattern Design" (2011).Note
The Scottish designer Sylvia Chalmers was a contemporary of Lucienne Day. Chalmers was a student at the Glasgow School of Art in the late 1940s. She moved to London in 1951, where she designed fabrics for Heal's. She won three medals for her textiles designs shown at the Milan Triennale in 1954. In 1955 she founded her textile printing company in Scotland, Tuar Fabrics, which she ran for over 20 years, often selling her textile designs for fashion use to Elizabeth Eaton.
In 1976 Chalmers purchased Blacknest House at Thornhill in Dumfriesshire and converted the out-buildings into a design and production complex. In recent years twelve of Chalmers' textile designs from the 1950s and 60s have been digitally reproduced by the Centre for Advanced Textiles at Glasgow School of Art, making her designs available to buy once more. Her influential and distinctive designs have been discussed in several recent publications including "V&A Pattern: The Fifties" (2009) and "Twentieth Century Pattern Design" (2011).Appraisal Information
This material has been appraised in line with Glasgow School of Art Archives and Collections standard procedures.
Additional Information
Published