China tea service
- Reference:GB 1694 NMC/0233A-V
- Dates of Creation:c1915
- Name of Creator:
- Physical Description:22 items
Scope and Content
Part set of painted china tea service. Orange lustre-glaze over flower paintings on white china blanks. Lustreware is a type of pottery or porcelain (china) with a metallic glaze that gives the effect of iridescence due to the metallic oxides in the overglaze finish. Because lustre glaze is not underneath the glaze, it is ephemeral and wears away over time.
Administrative / Biographical History
Ann Macbeth was born in Bolton in 1875, as the eldest of nine children of a Scottish Engineer.[1] She was at the Glasgow School of Art in the capacity of a student from 1897-1909. We know from the student records that are held within the school that her father’s occupation was that of engineer.[2] Her addresses are also listed: she came to Glasgow from St. Anne’s on the Sea, Lancashire, and in Glasgow she lived from 1897-98 at 9 Park Quadrant, 1898-99 as 15, Windsor Circus, Kelvinside, from 1899 as 6 Melrose Street, and from 1905 as Queen Margaret Hall.
Before 1902 her occupation is given in the student registers as either “Art Student” or “Designer”. From the session 1902-3 her occupation is listed as that of “Teacher”, but she still appears in the student registers because she continued to advance her formal education through the attendance of classes at the school.[3] For example, we know from the registers that in 1904-5 she was a day student in the upper course, design, and she took further courses in design up until 1909.[4] In 1902 she was appointed to the position of Assistant Mistress, teaching courses in needlework, embroidery and applique, in the Design and Decorative Art Section.
She continued to teach in the Glasgow School of Art until her retirement in 1929, gaining extra responsibilities until she left. In 1903-5 she taught Design and Instruction, from 1906 taught Metalwork and Repousse, and Bookbinding and Decoration from 1907. In 1909 she became the head of the Needlework and Embroidery Section, adding Bookbinding and Decoration and Decorative Leatherwork to these responsibilities in 1910. In 1912 she finally became the Director of Studies in the Needlecraft-Decorative Art Studios.[5] In addition during her time at the Glasgow School of Art Ann Macbeth also taught classes in Ceramic Decoration and China Painting. Even after she moved to the Lake District in the 1920s she held the prestigious position of Visiting Lecturer – Needlework and Embroidery from 1921 until her retirement in 1929.[6]
Related Material: Please note, GSA Library has digitised the following volumes from its collections related to Ann Macbeth:
* Embroidered and Laced Leather Work (1930): https://archive.org/details/embroideredlaced00macb
* chool and Fireside Crafts (1930): https://archive.org/details/schoolfiresidecr00macb
* The Country Woman's Rug Book (1932): https://archive.org/details/countrywomansrug00macbAcquisition Information
Gifted to GSA c1980.
Note
Ann Macbeth was born in Bolton in 1875, as the eldest of nine children of a Scottish Engineer.[1] She was at the Glasgow School of Art in the capacity of a student from 1897-1909. We know from the student records that are held within the school that her father’s occupation was that of engineer.[2] Her addresses are also listed: she came to Glasgow from St. Anne’s on the Sea, Lancashire, and in Glasgow she lived from 1897-98 at 9 Park Quadrant, 1898-99 as 15, Windsor Circus, Kelvinside, from 1899 as 6 Melrose Street, and from 1905 as Queen Margaret Hall.
Before 1902 her occupation is given in the student registers as either “Art Student” or “Designer”. From the session 1902-3 her occupation is listed as that of “Teacher”, but she still appears in the student registers because she continued to advance her formal education through the attendance of classes at the school.[3] For example, we know from the registers that in 1904-5 she was a day student in the upper course, design, and she took further courses in design up until 1909.[4] In 1902 she was appointed to the position of Assistant Mistress, teaching courses in needlework, embroidery and applique, in the Design and Decorative Art Section.
She continued to teach in the Glasgow School of Art until her retirement in 1929, gaining extra responsibilities until she left. In 1903-5 she taught Design and Instruction, from 1906 taught Metalwork and Repousse, and Bookbinding and Decoration from 1907. In 1909 she became the head of the Needlework and Embroidery Section, adding Bookbinding and Decoration and Decorative Leatherwork to these responsibilities in 1910. In 1912 she finally became the Director of Studies in the Needlecraft-Decorative Art Studios.[5] In addition during her time at the Glasgow School of Art Ann Macbeth also taught classes in Ceramic Decoration and China Painting. Even after she moved to the Lake District in the 1920s she held the prestigious position of Visiting Lecturer – Needlework and Embroidery from 1921 until her retirement in 1929.[6]
Related Material: Please note, GSA Library has digitised the following volumes from its collections related to Ann Macbeth:
* Embroidered and Laced Leather Work (1930): https://archive.org/details/embroideredlaced00macb
* chool and Fireside Crafts (1930): https://archive.org/details/schoolfiresidecr00macb
* The Country Woman's Rug Book (1932): https://archive.org/details/countrywomansrug00macbPhysical Characteristics and/or Technical Requirements
Lustre-glazed china.
7 saucers (A-G):
140 x 140 x 25 mm
3 cups (2 damaged) (H-J):
102 x 108 x 83 mm
1 oval dish (lid missing) (K):
51 x 102 x 102 mm
1 teapot lid (L):
55 x 100 x 55 mm
5 tea plates (M-Q):
160 x 160 x 10 mm
1 teapot (spout chipped) (R):
92 x 210 x 135 mm
1 sugar bowl lid (S):
40 x 85 x 63 mm
1 sugar bowl (T):
65 x 145 x 85 mm
1 slop basin (U)
69 x 128 x 9 mm;
1 large plate (V):
215 x 215 x 20 mmAdditional Information
Published
Subjects