Newspaper cuttings and notes
- Reference:GB 1694 DC 035/4/1
- Dates of Creation:1956-1976
- Name of Creator:
- Physical Description:1 file
Administrative / Biographical History
The Glasgow School of Art Modern Embroidery Group was formed by Kathleen Whyte (1909-1996) in 1955-6 with the express intention of creating an exhibition vehicle for graduates of the Glasgow School of Art. This would encourage them to continue to pursue innovation in modern embroidery, for which the GSA was well known in the UK. In 1956 former students of the Embroidery & Weaving Department of the School held the first exhibition of their work at Blythswood Square Gallery, Glasgow. The group was formally constituted and a registered charity run by a committee of GSA graduates elected annually at an annual general meeting.
Two years after the group's first exhibition, a touring exhibition sponsored by the Scottish Arts Council visited many towns in Scotland and lasted over a year. By 1970 three such touring exhibitions had been held as well as a bi-annual exhibition held in the Glasgow area or occasionally in London. By the mid-1970s the group had over 70 members.
As well as exhibiting, the group held regular meetings, lectures and events that covered areas such as techniques, textile history, dyeing and design, all of which were intended to encourage new work.
The move by the Arts Council to award grants more readily to national groups in the mid-1990s led to the formation of EDGE, the Scottish National Textile Group, about 1995. This group brought together the Glasgow School of Art Embroidery and Textile Group known by this time as 167, the Duncan of Jordanstone College of Art Embroidery Group known as Embryo, and the New Scottish Embroidery Group, based in Edinburgh. The Dundee group was formed by graduates of Duncan of Jordanstone College of Art taught by Marion Gracie, later Stewart, herself a graduate of GSA Department of Embroidery & Weaving.
One independent group remains called 167 On the Road. This was formed to support graduates willing to offer day and weekend courses in embroidery around Scotland.Note
The Glasgow School of Art Modern Embroidery Group was formed by Kathleen Whyte (1909-1996) in 1955-6 with the express intention of creating an exhibition vehicle for graduates of the Glasgow School of Art. This would encourage them to continue to pursue innovation in modern embroidery, for which the GSA was well known in the UK. In 1956 former students of the Embroidery & Weaving Department of the School held the first exhibition of their work at Blythswood Square Gallery, Glasgow. The group was formally constituted and a registered charity run by a committee of GSA graduates elected annually at an annual general meeting.
Two years after the group's first exhibition, a touring exhibition sponsored by the Scottish Arts Council visited many towns in Scotland and lasted over a year. By 1970 three such touring exhibitions had been held as well as a bi-annual exhibition held in the Glasgow area or occasionally in London. By the mid-1970s the group had over 70 members.
As well as exhibiting, the group held regular meetings, lectures and events that covered areas such as techniques, textile history, dyeing and design, all of which were intended to encourage new work.
The move by the Arts Council to award grants more readily to national groups in the mid-1990s led to the formation of EDGE, the Scottish National Textile Group, about 1995. This group brought together the Glasgow School of Art Embroidery and Textile Group known by this time as 167, the Duncan of Jordanstone College of Art Embroidery Group known as Embryo, and the New Scottish Embroidery Group, based in Edinburgh. The Dundee group was formed by graduates of Duncan of Jordanstone College of Art taught by Marion Gracie, later Stewart, herself a graduate of GSA Department of Embroidery & Weaving.
One independent group remains called 167 On the Road. This was formed to support graduates willing to offer day and weekend courses in embroidery around Scotland.Appraisal Information
This material has been appraised in line with Glasgow School of Art Archives and Collections standard procedures.
Additional Information
Published