The Cloth screen-printed wool shirt

Reference:GB 1694 DC 089/3/2/34
Former Reference:GB 1694 JAC/321
Dates of Creation:1985
Name of Creator:
Language of Material:English
Physical Description:

Scope and Content
The Cloth, ‘Log and Loggerie’ Autumn/Winter 1985 shirt, screen-printed on wool, design by David Band and Fraser Taylor.
Administrative / Biographical History
David Band was a student at The Glasgow School of art between 1977 and 1981. He later attended the Royal College of Art in London. He was commissioned to design album covers for bands such as Altered Images and Spandau Ballet and to design for Paul Smith, Saks and Liberty. In 1983 he set up ‘The Cloth’ Studios with Fraser Taylor, Brian Bolger and Helen Manning.
Born in the UK in 1960, Fraser Taylor is an interdisciplinary artist who works with a range of media including drawing, painting, sculpture, printmaking and animation. After receiving his bachelor of art in printed textiles from The Glasgow School of Art, Taylor went on to complete his masters in fine art at the Royal College of Art, London. In 1983 he co-founded ‘The Cloth’, a collaborative studio established to enable artists to move freely between fine art and design projects. The Cloth designed numerous textile collections, which were manufactured in Tokyo, Milan, Paris, London, New York, San Francisco and Los Angeles. They also produced seasonal collections of ready to wear men’s and women’s apparel, which retailed at leading department stores in Europe, Asia and the US. The Cloth disbanded in 1988 to allow each artist to pursue individual direction. Since 1983, Taylor has exhibited internationally; venues include: Jill George Gallery and StART Space, London; Mackintosh Museum, Glasgow; Gallery Boards, Paris; Galeria Jorge Alcolea, Madrid; Tim Olsen Gallery, Sydney. From 1996 to 2001, he was the assistant curator of ‘Japanese and British Art Now’, an exchange program established to provide a curriculum of exhibitions and workshops, encouraging discourses between artists working in London and Tokyo. This enabled Taylor to participate in group and solo exhibitions, at Axis Gallery, Gallery Aoyama, Sigacho Bis and SPICA Art, in Tokyo. Since 1983 he has lectured at fine art and design schools including Goldsmiths College University of London, Central St Martin's, The London Institute, The Royal College of Art and The Glasgow School of Art. In 1999 Taylor was invited to take part in a summer program, 'London in Chicago’ at The School of The Art Institute of Chicago, which led to his appointment as Visiting Artist, in the Department of Fiber and Material Studies in 2001. Subsequently Taylor began to exhibit in the US. Venues include: Thomas McCormick Gallery, Bucket Rider Gallery, Alfedena Gallery, mn Gallery, Evanston Arts Center, Hyde Park Art Center, Bowdoin College Museum of Art, Sybaris Gallery, Linda Ross Contemporary and Aurobora Press. Taylor currently lives and works in Chicago.
Access Information
Glasgow School of Art Archives and Collections are open for research by appointment. For further details, please refer to our Access Policy @ https://gsaarchives.net/policies.
Acquisition Information
Donated to The Glasgow School of Art's Archives and Collections by Vicky Pepys, 24 June 2021.
Note
David Band was a student at The Glasgow School of art between 1977 and 1981. He later attended the Royal College of Art in London. He was commissioned to design album covers for bands such as Altered Images and Spandau Ballet and to design for Paul Smith, Saks and Liberty. In 1983 he set up ‘The Cloth’ Studios with Fraser Taylor, Brian Bolger and Helen Manning.
Born in the UK in 1960, Fraser Taylor is an interdisciplinary artist who works with a range of media including drawing, painting, sculpture, printmaking and animation. After receiving his bachelor of art in printed textiles from The Glasgow School of Art, Taylor went on to complete his masters in fine art at the Royal College of Art, London. In 1983 he co-founded ‘The Cloth’, a collaborative studio established to enable artists to move freely between fine art and design projects. The Cloth designed numerous textile collections, which were manufactured in Tokyo, Milan, Paris, London, New York, San Francisco and Los Angeles. They also produced seasonal collections of ready to wear men’s and women’s apparel, which retailed at leading department stores in Europe, Asia and the US. The Cloth disbanded in 1988 to allow each artist to pursue individual direction. Since 1983, Taylor has exhibited internationally; venues include: Jill George Gallery and StART Space, London; Mackintosh Museum, Glasgow; Gallery Boards, Paris; Galeria Jorge Alcolea, Madrid; Tim Olsen Gallery, Sydney. From 1996 to 2001, he was the assistant curator of ‘Japanese and British Art Now’, an exchange program established to provide a curriculum of exhibitions and workshops, encouraging discourses between artists working in London and Tokyo. This enabled Taylor to participate in group and solo exhibitions, at Axis Gallery, Gallery Aoyama, Sigacho Bis and SPICA Art, in Tokyo. Since 1983 he has lectured at fine art and design schools including Goldsmiths College University of London, Central St Martin's, The London Institute, The Royal College of Art and The Glasgow School of Art. In 1999 Taylor was invited to take part in a summer program, 'London in Chicago’ at The School of The Art Institute of Chicago, which led to his appointment as Visiting Artist, in the Department of Fiber and Material Studies in 2001. Subsequently Taylor began to exhibit in the US. Venues include: Thomas McCormick Gallery, Bucket Rider Gallery, Alfedena Gallery, mn Gallery, Evanston Arts Center, Hyde Park Art Center, Bowdoin College Museum of Art, Sybaris Gallery, Linda Ross Contemporary and Aurobora Press. Taylor currently lives and works in Chicago.
Archivist's Note
Catalogue imported into AtoM software and edited by Stella Hook, Collections Development Officer, July 2021
Finding Aid Author/s: The Glasgow School of Art Archives and Collections.
Conditions Governing Use
Application for permission to reproduce should be submitted to The Archives and Collections at The Glasgow School of Art.
Reproduction subject to usual conditions: educational use and condition of material.
For further details, please refer to our Reprographic Service Guide @ https://gsaarchives.net/policies
Appraisal Information
This material has been appraised in line with Glasgow School of Art Archives and Collections standard procedures.
Additional Information
Published