The Attic Archive Collection

• Reference:GB 254 MS 339
• Dates of Creation:1972-2024
• Name of Creator:
  Peter Haining
• Physical Description:
  4 shelves

• Scope and Content

  Notes, journals, correspondence, artwork, photographic material, cds, cassettes and other media relating to DATA and other projects by Pete Horobin, Marshall Anderson, and Peter Haining know as the Attic Archive and later material by the artist as aitch and haha. Some of the material is catalogued as part of the Museum Collections.

• Administrative / Biographical History

  Following the death of Marshall Anderson, Peter Haining was born on 01.01.2000. It was his aspiration to spend 10 years living in the south of Ireland where he could experience a Catholic culture, one diametrically and theologically opposed to his Protestant upbringing. In order to establish a foothold there he applied for a residency at the Irish Museum of Modern Art in Dublin – IMMA – which at the time was hosting the Monika Kinley collection of outsider art. It was Haining’s intention to research this international collection then carry out his own audit of autodidactic artistic expression in the whole of Ireland, thereby perpetuating research that Marshall Anderson had carried out in Scotland during his decade. Haining laboured as an agricultural worker to raise the money for his journey to Ireland and in March 2000 he left Dundee by bicycle to travel to Cairnryan. He crossed to Larne and began to cycle round the north coast of County Antrim. In Carnlough he came across the eccentric and individualistic installation of Moscow Joe McKinley, which he photo-documented. From this first encounter a relationship was cultivated and a later video was recorded. Haining’s residency at IMMA commenced on 01.09.2000 giving him ample time to zig-zag and detour through the country before arriving in Dublin. When the residency at IMMA ended in January 2001, Haining moved to another residency at Cill Rialaig in County Kerry. Here the doors closed on him in March and with snow on the hills he was back in the saddle, touring and documenting naïve painting and sculpture, as well as decorated cottages, of which the Republic of Ireland had many. These being a distinctive Catholic expression and therefore mostly absent in Scotland. The IMMA residency had been valuable in several ways. It had given a stipend which Haining saved to continue funding his itinerant lifestyle, and it also helped open doors to art organisations, which offered opportunities to give public lectures introducing his research to the general public. In 2004 Haining moved across the border and rented property in Enniskillen. This was paid for by labouring part-time as a gardener. During this period he self-published his research into autodidactic art as a limited edition computer disc. Various problems in the attic in Dundee coupled to a feeling of completion in Ireland urged Haining to return to Scotland. His research was catalogued as "HIBERNIA – Haining’s Irish Biketour in Eire and Round Northern Ireland Arts" – and is now archived at the National Irish Visual Arts Library in Dublin. Back in Dundee Peter Haining took up residence in the Attic Archive where he began a series of works, completing some DATA projects and filing the material relating to the Marshall Anderson decade. He fabricated folios from Anderson’s clothing to contain drawings and constructed boxes from recycled cardboard to secure correspondence, periodicals and publications. He also invested in a powerful desktop Mac with film editing software so that he could produce a series of DVDs based on video footage recorded in Ireland, as well as digitised analogue VHS recordings and current video shot in Fife. The resulting collection of 36 DVDs was boxed in 2 editions and archived in the Scottish National Gallery of Modern Art in Edinburgh and Artpool in Budapest. Before finalising his decade on 31.12.2009, Peter Haining had to set in motion the selling of the attic at 37 Union Street, Dundee, and with that resolve the problem of what to do with its multi-various collection of artworks, books, objects, ephemera, packaging, and toys.

• Arrangement

  Usually chronological within series.

• Access Information

  Open for consultation subject to preservation requirements. Access must also conform to the restrictions of the Data Protection Act (2018), General Data Protection Regulation (GDPR, 2018) and any other relevant legislation or restrictions. Clinical information is closed for 100 years.

• Acquisition Information

  The material was gifted to the University by Peter Haining, 2011-2012

• Note

  Following the death of Marshall Anderson, Peter Haining was born on 01.01.2000. It was his aspiration to spend 10 years living in the south of Ireland where he could experience a Catholic culture, one diametrically and theologically opposed to his Protestant upbringing. In order to establish a foothold there he applied for a residency at the Irish Museum of Modern Art in Dublin – IMMA – which at the time was hosting the Monika Kinley collection of outsider art. It was Haining’s intention to research this international collection then carry out his own audit of autodidactic artistic expression in the whole of Ireland, thereby perpetuating research that Marshall Anderson had carried out in Scotland during his decade. Haining laboured as an agricultural worker to raise the money for his journey to Ireland and in March 2000 he left Dundee by bicycle to travel to Cairnryan. He crossed to Larne and began to cycle round the north coast of County Antrim. In Carnlough he came across the eccentric and individualistic installation of Moscow Joe McKinley, which he photo-documented. From this first encounter a relationship was cultivated and a later video was recorded. Haining’s residency at IMMA commenced on 01.09.2000 giving him ample time to zig-zag and detour through the country before arriving in Dublin. When the residency at IMMA ended in January 2001, Haining moved to another residency at Cill Rialaig in County Kerry. Here the doors closed on him in March and with snow on the hills he was back in the saddle, touring and documenting naïve painting and sculpture, as well as decorated cottages, of which the Republic of Ireland had many. These being a distinctive Catholic expression and therefore mostly absent in Scotland. The IMMA residency had been valuable in several ways. It had given a stipend which Haining saved to continue funding his itinerant lifestyle, and it also helped open doors to art organisations, which offered opportunities to give public lectures introducing his research to the general public. In 2004 Haining moved across the border and rented property in Enniskillen. This was paid for by labouring part-time as a gardener. During this period he self-published his research into autodidactic art as a limited edition computer disc. Various problems in the attic in Dundee coupled to a feeling of completion in Ireland urged Haining to return to Scotland. His research was catalogued as "HIBERNIA – Haining’s Irish Biketour in Eire and Round Northern Ireland Arts" – and is now archived at the National Irish Visual Arts Library in Dublin. Back in Dundee Peter Haining took up residence in the Attic Archive where he began a series of works, completing some DATA projects and filing the material relating to the Marshall Anderson decade. He fabricated folios from Anderson’s clothing to contain drawings and constructed boxes from recycled cardboard to secure correspondence, periodicals and publications. He also invested in a powerful desktop Mac with film editing software so that he could produce a series of DVDs based on video footage recorded in Ireland, as well as digitised analogue VHS recordings and current video shot in Fife. The resulting collection of 36 DVDs was boxed in 2 editions and archived in the Scottish National Gallery of Modern Art in Edinburgh and Artpool in Budapest. Before finalising his decade on 31.12.2009, Peter Haining had to set in motion the selling of the attic at 37 Union Street, Dundee, and with that resolve the problem of what to do with its multi-various collection of artworks, books, objects, ephemera, packaging, and toys.

• Other Finding Aids

  Handlist

• Physical Characteristics and/or Technical Requirements

  Paper, analogue and digital media.

• Archivist's Note

  Description compiled by Durham Burt, Archives Assistant, 24/04/2012 and subsequently updated.

• Conditions Governing Use

  Reproduction is available subject to preservation requirements. Charges may be made for this service, and copyright and other restrictions may apply; please check with the Duty Archivist.

• Custodial History

  The material was kept in Haining's home in Dundee as part of his Attic Archive Project. Originally intended to be transferred to one Archive repository in its entirety, space restrictions meant the collection had to be split and transferred to various cultural institutions in Scotland, Ireland and Hungary. Dundee University Archive and Museum Services were gifted material relating to the DATA part of the project.

• Accruals

  Ongoing

• Related Material

  The Attic itself was sold in 2012. Its many varied parts are now relocated in numerous museums and collections as follows - The Museum of Childhood, Edinburgh; The Museum of Communications, Burntisland, Fife; Kirkcaldy Museum & Art Gallery, Fife; McManus Museum & Art Gallery; Dundee Central Library, Dundee; Dundee University Archives; Artpool, Budapest; The Scottish National Gallery of Modern Art, Edinburgh; The National Library of Scotland, Edinburgh; The National Irish Visual Art Library, Dublin. (Information from Edinburgh College of Art blog https://gsaarchivesandcollections.wordpress.com/tag/peter-horobin/)

• Location of Originals

  The records are original.

• Additional Information

  Published

  Catalogued

  MS 339

• Subjects

  Art

  Artist